主人公穆夏(xià )是一(yī )名小说家，正(zhèng )在创(chuàng )作(😡)一(🙄)部(🕜)小(🛄)说(🚟)，近(😮)来(lái )常常被噩梦纠(jiū )缠。丈夫莫洋为她(tā )安排心理(💉)医(🌠)生(🛤)做(🦗)治(✖)(zhì(🍃) )疗，可没想到在催(cuī )眠治疗过程(chéng )中一个(gè )声称他才是(shì )穆夏真(zhēn )丈夫的(♓)男(🐂)人(🥟)(ré(🈺)n )出(🐼)现(🔗)，穆夏平静的(de )世界开始变的一团(tuán )混乱。
孤女立夏(🕺)深(🖊)(shē(📼)n )山(🐮)武(💱)校(🕳)艺(🛃)成下山报(bào )恩。其恩人尉(wèi )迟东(dōng )举办的马术比(bǐ )赛遭(zāo )遇赌博集团操(🌘)(cā(📨)o )控(🔚)。尉(💾)迟(📷)委(🚩)托星宇(yǔ )安保(bǎo )公司保护众骑(qí )手，并安排立夏加(⬆)(jiā(♟) )入(🥀)该(😃)(gā(🛁)i )公(🔅)司实习。几(jǐ )经波折后，立夏在(zài )安保公司站住了脚(jiǎo )并解决了安(ān )全危机(💍)(jī(🔒) )。
80年(📁)代(🔧)末(📔)期(🗯)(qī )，生活(huó )在宁夏矿区(qū )的小两(liǎng )口陈志平（张(🗓)多(🔨)饰(🐮)）(🤢)和(📅)周(🥢)淑(🚷)萍(píng )（卢珊饰）过着平(píng )凡又安宁的生活。但嗜赌如命的(de )大伯(bó )哥（杜(🕍)旭(💁)东(🦈)饰(🙀)(shì(🏔) )）(♐)被(bèi )人追债追到家(jiā )里，紧接着父亲（郭九(jiǔ )龙饰(📋)）(🎴)被(📅)气(🦕)死(🕸)(sǐ(🥛) )、母(mǔ )亲（刘爱玲饰(shì )）被(bèi )逼疯、就连陈(chén )志平也在矿上受伤(shāng )，加上(📄)早(📰)年(✳)(niá(🔶)n )就(🧠)因(🤳)车(chē )祸下身瘫痪(huàn )的弟弟(dì )陈志军，一(yī )家人全(🎰)(quá(🌘)n )体(🛳)陷(🍾)入(🕤)困(🥉)境(🖨)(jìng )，只有(yǒu )周淑萍一个(gè )女人担负起了拯救(jiù )家庭的重任...
A fishing community on a remote Maine island finds itself suddenly cut off from the rest of the world after the ferry stops coming. When people start to vanish, the terrified survivors realize that someone - or something - is hunting them.
2012年的一(yī )个夜(🧔)晚(🐈)，自(😀)幼(🚨)在(🚠)某(🚬)(mǒu )孤儿院长大的(de )敦也(yě )（山田凉介 饰(shì )）、翔太(🕣)（(🤐)村(🔪)上(👯)虹(❄)(hó(😑)ng )郎 饰(shì )）和幸平（宽(kuān )一郎(láng ) 饰）对某女企(qǐ )业家(jiā )实施了抢劫，由于汽(🚀)车(🥅)意(➡)外(🖐)抛(🍄)锚(♓)(máo )，他们仓皇逃到了(le )一家早已关(guān )张的杂(zá )货店(🌚)内(🧦)躲(🕟)藏(🤖)(cá(🛒)ng )。这(🎓)家(🛒)(jiā )名为浪矢杂(zá )货店的(de )铺子此前由(yóu )风趣和善的老人浪(làng )矢雄治（西(🎇)田(🅿)敏(🔚)行(👊)(há(💊)ng ) 饰(🎿)）经营，数十年(nián )前他出于玩笑帮小(xiǎo )朋友们解答(🕡)各(🥡)(gè(🎚) )种(🙍)困(😋)(kù(☔)n )扰，后来名气(qì )越来(lái )越大，以至于(yú )有人(rén )专程向他咨询(xún )人生(shēng )中的难(😉)题(❗)。本(🈵)(bě(🏪)n )来(🐁)从(⏺)(cóng )1980年就该沉寂的(de )店铺，却在三人闯(chuǎng )进来后收到(🧣)了(🍚)烦(🏦)恼(📪)(nǎ(📉)o )咨(🙇)询(🎃)信。随(suí )后敦也(yě )等人发现，这些信(xìn )件竟然来自(zì )遥远的(de )过去。神秘(mì )的夜(🦖)晚(💼)，迷(🥚)途(⏮)青(😼)年(nián )执笔为他人排忧解(jiě )难，他们的命运和(hé )这家(🔌)解(🏃)忧(🤷)杂(🌱)货(🆒)店(🤚)紧(jǐn )紧联系在了一(yī )起……
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
