拳(quán )王再度(💟)重(chóng )出江湖(😞) 地下赌场(chǎ(❔)ng )风云再起(qǐ(👻) )
Jerusha Kali, on the eve of University graduation and her 21st birthday - has her genetic mutation kick in; this enables her to emit an abnormal electromagnetic field; stemming from her pineal gland, which is extremely powerful. She is able to manipulate space and time, and travel inter-dimensionally. She is the last surviving Witch. All of her ancestors have been successfully eradicated by an elite Secret Society which controls much of the various institutions of the world. This Secret Society is evil, ancient and has technological innovation on their side. She incorporates Allies of various relict secret societies; mostly of Nordic and Indigenous origins and inevitably has to do battle with the formidable foes before the eve of her 21st Birthday - which is the Full Moon - where her powers will fully culminate. It is prophesized that she is the one to lead the global revolution to return planet earth to homeostasis.
职业抢劫犯(👬)杰克(kè )为了挖掘(jué )父亲被谋(🗄)杀的真(zhēn )相(🚍)，找到(dào )他被(🥊)偷(tōu )的钱，面(🏢)(miàn )临生命危(wēi )险(🚮)。很(hěn )快他发(🤨)现(xiàn )自己陷(📦)入(rù )了无可(🦅)挽回的困(kù(🥡)n )境。西班(bān )牙(🐃)的美丽风光(🌭)以(yǐ )及伦(lún )敦黑(😎)(hēi )暗的地下(🐑)世界里(lǐ )，他(⏯)(tā )和神秘的(🍲)敌对力量展(🛑)开搏(bó )斗，在寻(xú(🗒)n )求复仇的同(🔩)时，背后还有(🔄)(yǒu )一群黑帮(⬛)罪犯和(hé )警(🎐)察在追(zhuī )捕(😒)他。
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
A Paranormal night investigated and documented by Carl Medland on a remote farm and country house. What Carl captures is unsettling and truly terrifying.
Three burglars will soon realise they are not alone in a manor house when they discover a doll mysteriously appearing.
宇宙犯罪(zuì )者ベムルとそ(💳)の一味を追(👾)(zhuī )って地球(🙂)(qiú )にやって(🗜)きた宇(yǔ )宙の警(🕥)察(chá )と呼ば(🍟)れるスパン(🐢)デクサーの(🦉)一(yī )人スパ(🤛)ンデクサー(⏪)Ａは、ベム(🚹)ルたちに襲われ(🔛)ていた地球(🆑)の捜査(chá )官(⛷)・目白を助(🥖)けるが、そ(🎌)のためにベムル(〰)たちを逃(tá(🛷)o )がしてしま(🚜)う。目白の協(🎎)(xié )力のもと(💜)、地球に残(🚒)ってベムルを倒そうとする(📃)スパンデク(🧔)サーＡの前(🔛)に、宇宙の(🚖)犯(fàn )罪者たちが(🔘)スパンデク(📘)サーたちを(💁)倒すために(🚘)作った人工(🐹)(gōng )生命体ゾ(🐕)ーラが現(xià(🏰)n )れる。スパンデク(📫)サーの弱点(👃)の物質で作(🏤)(zuò )られたゾ(😵)ーラに敗北(🏦)したスパンデク(🏿)サーＡは、(👕)ゾーラに拉(🦈)致され壮絶(💴)な拷問を受(🈂)ける。そして(🌐)残虐な性(xìng )格のゾーラは、(🐴)目白を捕(bǔ(👹) )らえて、家(😭)族に危害を(🎨)加(jiā )えられたくなければス(🚞)パンデクサ(🈳)ーＡをその(📣)手で殺すよ(😴)うに命令(lì(🏩)ng )するのだっ(🚾)た。
馬(mǎ )賊入村劫掠，九(jiǔ )歲男(🎡)孩從(cóng )此失(🎢)去母親。親(qī(🐆)n )戚接(jiē )他到(📎)(dào )異鄉居住，新生(🕯)(shēng )活真(zhēn )的(🤯)在前面等着(🎮)驚魂未定的(🗣)(de )他？遠山連(🐛) 綿，林徑迂迴(💰)(huí )，故事彷(páng )彿於路的盡頭開(☝)(kāi )始了，無(wú(🅿) )緣無故在轉(🆗)角暫(zàn )時消(✖)失，拐了一個(🚹)彎又重(chóng )現。夢境(🤴)(jìng )和現實界(📢)線變得(dé )模(🙊)糊之際(jì )，男(🏃)孩(hái )所能緊(🙇)緊(jǐn )擁抱的(🥕)，只是亡(wáng )母告訴過(guò )他的神(🌁)話(huà )故事，關(🍲)於受詛(zǔ )咒(📢)的憤怒(nù )復(🔍)仇之神馬勇，關於(📂)(yú )不知(zhī )不(💧)覺間緩慢而(🎨)實(shí )在的(de )成(⛩)長。佩舒彭德(👧)拉辛格的(de )第(🚉)二部作品，處處閃現薩(sà )耶哲(🏕)雷、杜魯福(🚨)和域陀艾(à(🏗)i )里斯的光(guā(🎬)ng )影風格，滲透(🎣)在(zài )黑白之間(jiā(🌤)n )，純粹的美，複(🌒)(fú )合的痛。
曾(🐉)在釜山酒吧(🏄)打(dǎ )工的郑(🚟)经(jīng )理，通过(🧕)偶然的(de )机会偷了(le )混混的(de )钱包(🗨)之后(hòu )成功(🥗)逃逸(yì )，逃到(🗳)首尔地下(xià(🗂) )单间的郑(zhèng )经理(🌛)等待着7年的(🕋)(de )公诉(sù )时效(😅)(xiào )期满，在房(🥖)间寸(cùn )步不(📷)(bú )离，开始了(😼)彻底的隐遁生(shēng )活，但是在公(🐜)诉时效期满(🔻)(mǎn )一周前，郑(💚)经理偶然跟(🧞)邻(lín )家的小(🍭)女(nǚ )孩恩美碰面(😧)，
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